The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels with outstanding sound quality and a large dynamic range in the - LD-Systems MEI g2 In Ear Funksystem/Funkanlage SET inkl. Shure SE In Ear Kopfhörer; Frequenzbereich: - MHz/ MHz, 96 Kanäle (8. Das neue LD Systems MEI G2 In-Ear Monitoring-System mit 96 UHF-Kanälen bietet eine überragende Klangqualität und einen großen Dynamikumfang in.
Info zu diesem ArtikelDas In-Ear Monitoring-System LD Systems MEI G2 mit 96 UHF-Kanälen bietet einen großen Dynamikumfang in den Bändern – und – MHz. LD-Systems MEI g2 In Ear Funksystem/Funkanlage SET inkl. Shure SE In Ear Kopfhörer; Frequenzbereich: - MHz/ MHz, 96 Kanäle (8. LD Systems MEI G2 BPR Empfänger: muswellmanorholidaypark.com: Musikinstrumente.
Ld Systems Mei 100 G2 UHF Wireless InEar-Systeme VideoLD Systems mei100 g2 problems And that counts! Alexander Cevolani. For shure, it ain't the sound, which you will get out of your professional monitor Aldilotto in the studio, but it's quite good especially for live situations, where you are often surrounded by lots of different noises.
Grazie, ob sich das Ld Systems Mei 100 G2 von. - Passende ArtikelDiesen Artikel kaufen und 90 Tage unbegrenzt Musik streamen. 10/19/ · The LD Systems MEI G2 & MEI G2 in-ear systems are two new affordable amateur systems for wireless monitoring. Already in line with the new EU regulations (lots of old wireless systems will be discontinued by 01/01/ due to a reorganisation of frequencies granting permission for . LD Systems MEI G2 je bezdrátový UHF in-ear systém. Připraveno je 96 přednastavenými frekvencí pro bezproblémový provoz. Systém poskytuje vynikající zvuk s rozšířenou dynamikou. Přepínatelné mono a stereo režimy, ideální monitorovací systém pro živou hudbu, divadla a hlasové aplikace%(3). LD Systems MEI G2 In-Ear Monitoring Funksystem hoher Rauschabstand bis zu 5 Systeme gleichzeitig pro Frequenzband Funkfrequenz: - / - MHz Übertragungsbereich: 80 Hz - 15 kHz Übertragungsmodi: Mono, Stereo 19"-fahig?: ja Anschlüsse Empfänger: Mini-Klinke, stereo Anschlüsse Sender: /5(12).
This is common in theatre productions, outdoor events, conferences and similar events, in which cases this would work and forego the need for costly directional antennas.
With regard to the signal-to-noise ratio, I must add that open, non-adjusted earpieces must usually be set to higher volumes, which inevitably increases the noise.
I would describe the sound quality on both systems as adequate, and definitely good enough for most applications.
One must be aware that it is mainly the low frequencies that are lost when transmitting wirelessly. It could be that this is required here, and I found the result helpful, but the function is however not mandatory.
Normally, the sound can already be modified accordingly by the monitor desk. Even the cheaper MEI G2 showed sufficient definition in this regard.
Neither systems produce hi-fi sound, and you have to be clear about that. The systems are designed for stage monitoring with the proviso that you can hear certain things well, and they absolutely deliver on these two aspects.
The optional switchable limiter on the MEI G2 is definitely a plus in terms of safety, should unexpected peak signals occur.
As a plus, you can use the MEI G2 option in focus mode. However, this is strictly a question of the application area.
You have to be clear that the so-called focus mode does result in a significant compromise on sound, which in reality is a dual-mono mode.
When working with a highly stereo-heavy sound environment, for example, with lots of keyboards, two guitars, and a percussion microphone all forming part of the stereo environment, or a stereo-ambience microphone to feed the sound into earphones, there will be considerable loss of sound in mono mode.
Lots of special keyboard sounds that use phase effects are not mono-compatible and suddenly disappear in the monitor mix, taking lots of signals out of phase with it, resulting in thin and tinny, echo chambers that disappear partially from the sound.
On the other hand, the ability to directly control your own signal in relation to the residual signal on its receiver during the performance autonomously and directly, should not be disregarded.
Personally, I would however, always give the priority to the stereo mix, the resulting sound and the possibility of distributing the signals along the stereo field, which provides much greater transparency.
But, as I said, there are other areas where the systems could be used, such as for purely language-oriented purposes, where mono signals are perfectly adequate and priority can be given to controlling the channel levels.
Incidentally, it is also possible to operate the value for money MEI G2 in dual mono mode, and besides you can adjust the ratio between both channels using just the transmitter, but this is not practical during a live performance.
The intuitive and straightforward operation makes both systems in combination with the license-free radio frequencies an ideal solution for those who are planning to enter the world of in-ear monitoring in a safe and effective manner.
A small advantage of the MEI G2 is in being able to directly adjust the sound transmission, stereo panning, or alternatively dual mono operation on the receiver, but the cheaper MEIG2 is only minimally inferior in terms of sound and transmission quality.
CONS — Display on the transmitter and receiver jumps back from the channel display to the frequency display very quickly. Source: Bonedo.
Homepage optional. I only purchased this item earlier in the year. Regards, Elaine. We would ask you to send it back, because it seems like it needs to be repaired.
Thanks Miriam! You have been most helpful with getting me sorted out! B2B Shop. Es wurde 1 Erfahrungsbericht in schriftlicher Form abgegeben.
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Information on the supported frequency ranges Here you can see which frequencies are supported by this wireless system and the countries in which these frequencies are allowed in the future for wireless applications.
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Our friends in Brussels recently did something useful for musicians in the EU. We now have some new frequencies we can legally use for our IEMs and wireless mics all over Europe - the EU has forced our governments to clear out channel 65 and 66 also known as duplex gap or G2 for "wireless audio programme making and special events equipment" This is in addition to channel 70 frequencies.
I was holding back on buying IEMs because I already have instruments on channel 70 and you can only realistically fit 3 or 4 transmitters on there.
I use the new shure 2. Thanks to LDs early adoption of the G2 frequencies, you don't have to buy a licence now in Europe.
So as far as build is concerned, the belt receiver and transmitter are very high quality build, made to last. Sound wise the system is functional.
The receiver is loud enough, but doesn't have any extra kick so you are not going to go deaf using it. As it is FM technology, the sound quality suffers at the low end, if you are a bass player it probably won't cut it as the bass is distorted and the lowest end is not present.
So it's not the ear phones that are letting it down. I would compare the sound to a lower end FM car transmitter.
I know it's possible to get great FM transmission these days, some of the high end in car FM transmitters are absolutely brilliant with deep bass and great signal to noise ratio, it's a shame LD didn't choose a more up to date encoder chipset, or include some sort of compander technology like HDX like you find on the Sennheisers.
It is however functional enough and the additional free channels make it worthwhile and good value for money. The transmitter range is good enough, I can get 25 meters outside with clear stereo reception.
I think I'll have to vote to stay in the EU now, if we drop out, the British government might want those channels back :.
Für gewöhnlich ist das auch kein Problem, es dauert aber eventuell etwas länger, die störungsresistenteste Frequenz für die gewählte Anwendungsumgebung zu finden.
Wahlweise können also entweder ein Stereosignal oder zwei Monosignale eingespeist werden. Beide Sendestationen haben einen Netzschalter auf der Vorderseite sowie einen zusätzlichen, regelbaren Kopfhörerausgang mit 6,3 mm Stereoklinkenbuchse.
Laut Hersteller können bis zu fünf verschiedene Systeme parallel betrieben und pro System beliebig viele Empfänger angeschlossen werden.
Bei Letzterem werden alle Empfänger auf die Frequenz der gewünschten Sendestation eingestellt und empfangen so auch alle das gleiche Signal.
Für kleinere Konferenzen mit mehreren Simultanübersetzungen könnten diese Systeme also durchaus ausreichen. In beiden Fällen erfolgt die Balanceeinstellung zwischen diesen beiden Signalen - ob zwei getrennte Monosignale oder ein Stereosignal - über diese beiden Regler am Sender und nicht über den Empfänger.
Der Empfänger zeigt auf seinem Display an, ob an der Sendestation Mono- oder Stereobetrieb ausgewählt ist.
Dahinter verbirgt sich ein Dual-Mono-Betrieb. Liegen zwei Monosignale am Sender an, z.The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels offers outstanding sound quality and a large dynamic range in the – and – MHz bands. The system toggles between mono and stereo mode for perfect monitoring for live musicians, actors or speakers. A built-in limiter ensures even, distortion-free sound reproduction with a frequency response of 80Hz - 15 kHz and stands out because of its high signal-to-noise ratio and low total harmonic distortion. Item No.: LDMEIG2. The new LD Systems MEI G2 is a license-free* in-ear monitoring system with 96 UHF channels that delivers outstanding sound quality with a large dynamic range and outstanding crosstalk behaviour in the and MHz frequency bands. Switchable mono, stereo and focus monitoring modes as well as adjustable EQ and limiter functions permit natural sound reproduction for any application, with a frequency response of Hz, a high S/N ratio and low THD. Consists of " stereo transmitter MEI T, body pack receiver MEI G2 BPR, and earphones Up to 8 systems simultaneously Frequency range: - MHz and - MHz Integrated limiter up to +12 dB. MEI G2 Series. The MEI G² Series by LD Systems comes with useful features, and offers professional in-ear monitoring at an appealing price. The wireless system is switchable between mono and stereo mode for perfect wireless monitoring for live musicians, actors or speakers. A built-in limiter ensures consistent, distortion-free sound reproduction with a freqquency response of 80Hz – 18 kHz and stands out because of its high signal-to-noise ratio and low total harmonic distortion. Buy. The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels offers outstanding sound quality and a large dynamic range in the – and – MHz bands. The system toggles between mono and stereo mode for perfect monitoring for live musicians, actors or speakers. A built-in limiter ensures even, distortion-free sound reproduction with a frequency response of 80Hz - 15 kHz and stands out because of its high signal-to-noise ratio and low total harmonic distortion. Das hat mich anfangs etwas verwirrt. Fazit: Für diesen -recht speziellen- Einsatzbereich reicht das Ding aus. Fragen und Antworten anzeigen. Alle löschen.